The hot ticket at t this year’s Asthetica Short Film Festival:

Documentary filmmaking comes with many moral and ethical dilemmas. When confronted with a deeply emotive scenario, do you continue to film or put down the camera? How do you condense 500 hours of footage into a 90-minute film? What decisions should be made to ensure that the production reaches its full potential? Emmy-winning and BAFTA-nominated Richard Melman from Spring Films (Night Will Fall, Into the Inferno) establishes ethical boundaries and how to recognise them.

Thursday 7 November
York Theatre Royal Studio